Client Recordings

SHERIE RENE SCOTT
Tony-nominated
Broadway—Aida, Rent, Dirty Rotten Scoundrels, The Little Mermaid
Recently Seen in Everyday Rapture at Second Stage

These songs demonstrate how the voice can fully respond to the lyrical content and styling of any song.

Sherie

 

Norbert Leo Butz

 

 

NORBERT LEO BUTZ
Tony-award winner
Broadway—Rent, Wicked, Dirty Rotten Scoundrels

Norbert had replaced Adam Pascal in Rent when Sherie Rene Scott stepped into the role of Maureen on Broadway. He came to work with me after watching Sherie grow stronger with each performance, despite the fact that the music was written in a way that put tremendous strain on the voice, creating vocal difficulties for many of the cast members.

The first of the songs I’ve included here demonstrates a fundamental of my teaching which is "talking on pitch"…and because this song makes me smile every time I hear it.

A Miracle Would Happen—The Last Five Years

The second one is a duet with Sherie that demonstrates adding a "through line of sound" to the "talking on pitch". It also demonstrates how the release of air first let’s Sherie go from a light voicing to a full sound, thereby supporting the emotional content of those moments.

The Next Ten Minutes—The Last Five Years

The final song is from Wicked where Norbert gives a healthy full on performance which also demonstrates his ROCK style which is what first got him hired in RENT.

Dancing Through Life—Wicked

MASHA
Out of the many recording artists that I’ve taught, I’ve chosen MASHA to feature here. I’ve since lost touch with her, but her album was recorded in Germany, mastered at Abbey Road Studios in London and released by a company called Paroli Records in 2002.

This first song from her album demonstrates the use of my vocal technique in the rock/pop arena.

Still Waiting

This next song is a piano vocal version of the song Over You Now and shows the versatility of the Shetler technique.

Over You Now

masha
Steve Postell

STEVE POSTELL
After reviewing the many tracks of artists that have studied with me, I feel it’s Steve Postell who most clearly shows how the Shetler Technique supports artist individuality.
Track 1 | Track 2

PAMELA ISAACS
Tony-nominated
Broadway—The Life
Although I coached Pamela for her Tony nominated performance in The Life, I chose these two songs from one of her albums to demonstrate that a released voice will fully communicate the emotional content of a song and to show how my technique allows for the uniqueness of one’s own musical style to thrive.

I Wonder Where Our Love Has Gone
Deep Song

Pam Issacs
Once on this Island

ERIC RILEY
Broadway: Ain’t Misbehavin, Dreamgirls, Once on this Island

He studied with me throughout his Broadway career, and I ended up producing a club act for him as well as a four song demo to pitch a record deal.

Both of these songs show that when the voice is free it is malleable to any style of singing.

You’re The Key
Let the Good Times Roll

Ron Shetler Vocal Studio | 244 West 54th Street 12th Floor New York, NY 10019 | 212.246.6655 | Copyright 2009